Cette discontinuité spatiale et temporelle (voire narrative) engendrée par la mutation progressive d'un naturalisme social vers un onirisme fantasmagorique réactualise le nihilisme stylisé, ou l'art de la vacuité qui formalise le cinéma de Tsai.
It's not about time only, it is about love, about family, about life. How long will I love you? For everything that standing in time, For everyone that living in your life. Let's make everyday that couldn't be any more gorgeous. Let's travel in time together.