阿巴斯的表达方式非常自然他甚至无意图去唤起观者的相关情感记忆 这电影里的角色单一导演用平静和客观的镜头观察来传达他的诗意--某种程度上的“静止” 我们不得不说挤奶的长镜头是难得的因为它看起来太具灵感了快要变成画外音的"...the wind will carry us..."啦啦啦中国日本免费高清观看是这种诗意无疑--等待无所为因为无能为力偶尔生气但大部分时间你和你的周围没有变化 我们面对宿命的无意义诗意的方式是: "...Prefer the present to these fine promises. Even a drum sounds melodious from afar..."
贴在女性身上的标签:she asked for it, she was into it, she regretted, she was vulnerable 贴在男性身上的标签:it was not his fault, he did nothing wrong, it was just fun, he was a kid 有毒的男性主义从来都是模仿和养育的产物而女性也从来只能从彼此身上汲取力量这不是一部“爽”片它让我难过却又被激励它是十年后的水果硬糖可惜还是只有我们自己保护自己